The Night Sweats often suggest a more wide-open, somewhat jam-band-y Rocky Mountain version of the Dap-Kings’ funk-soul attack, and you can imagine The Future appealing equally to fans of Dave Matthews and Amy Winehouse. That’s a good theme for this band, who sound inspired even when they’re merely channeling influences.
NATHANIEL RATELIFF THE FUTURE REVIEW HOW TO
“Gotta sing a lot of soul to know how to feel it,” he offers on “Something Ain’t Right,” an ode to the cathartic power of making music. Good-natured vamps like “Something Ain’t Right” and “Survivor” strive to find rays of hope in our garbage times, musically hulking out with swelling horns and deliberate, nuanced muscle, as if the Night Sweats are a gang of bar buddies patting Nathaniel on the back as he decides to man up and take on reality. The title track kicks off sounding like the Bob Dylan of Desire if he’d recorded that album at Muscle Shoals.
That mix of Sixties groove workouts and Seventies singer-songwriter truth-seeking pays off on their third album, The Future. But the command of retro-soul they displayed on their self-titled 2015 debut and its 2018 follow-up, Tearing at the Seams, was undeniable, partly because Rateliff worked a little Leonard Cohen-style introspect into his Ray Charles-inscribed belting.
Rateliff was a burly middle-aged guy from Colorado whom Jimmy Fallon had stumbled across via a YouTube clip, and the Nights Sweats’ rustic look suggested they might feel more at home hanging out at Big Pink in 1968. It’s been six years since Nathaniel Rateliff and the Night Sweats electrified The Tonight Show with their brawny rave-up “S.O.B.,” delivering a scorching performance that launched one of the more unlikely breakout stars of the viral-sensation era.
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